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new criticism 文學新批評〔二十世紀流行的文藝分析方法,著重研究作品的語...

new delhi

This paper , in view of the comparison and analysis of poetic theory and the way of analyzing poems in seven types of ambiguity by william empson and that of in the examples of plural meanings of poems by zhu zi - qing , expounds the influence of ambiguity theory in new criticism on the poetic theory of zhu zi - qing and the aberrance it brought about when his analyzing chinese classical poems with the theory 摘要主要通過燕卜蓀的《復義七型》中的復義理論及其詩歌分析方法和朱自清的《詩多義舉例》中的詩歌理論及其詩歌分析方法的比較和分析,用以說明新批評的復義理論對朱自清詩歌理論的影響以及他在運用該理論分析中國古典詩歌時所生發的一種變異現象。

Harold bloom , a monumental and legendary figure of literary criticism at yale university , a name that cannot be avoided in poetry criticism , is one of the strongest and definitely the most prolific critics of his generation or of several past generations . professor xu jing , correspondent of foreign literature studies , interviewed professor bloom in may 2006 . this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence , a map of misreading , kabbalah and criticism , and poetry and repression . bloom regards his theory of “ the anxiety of influence “ as his most important contribution to literary criticism , and uses “ dancing “ to explain his famous yet baffling six rations of “ misprision . “ always preoccupied with his own theory , bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens . looking back to his past , bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry , a theoretician of poetry , and a critic for the general public . bloom began his career as a critic of british romantic literature in the afterglow of the new criticism . in the 1970s , bloom brought forth his explosive “ theory of poetry “ in the tetralogy publised in very quick succession in the 1970s . since the 1980s , bloom has become less technical and hopes to reach a wider readership . his literary criticism and what he calls his “ criticism of religion “ for the general public have made harold bloom a household name in america as well as in the world . at present , the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece , the anatomy of influence , which is to be published in 2008 by princeton university press 哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可回避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜于2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的“詩歌理論“ .布魯姆認為“影響的焦慮“是他對文學批評最重要的貢獻,并用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于“誤讀“的“六個定量“ .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,并簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的“詩歌理論“ .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及“宗教批評“ (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將于2008年由普林斯頓大學出版社出版

It is in pursuit of the general character of arts for the contemporapy chinese full - length novels in the epic type and contemporapy form to construct the arts form and cricite the works and so it sets up a new criticism : the type and form criticism 摘要《史詩類型與當代形態》對新時期以來中國當代長篇小說研究執著于“共通的詩學特征”追求,建構藝術模式,對藝術作品進行類型形態學的區別和分析,從而建立起一種新的批評模式:類型形態學批評。

Concerning all the theories of literary criticism in the 20th century , although new criticism and reader response are the best suitable for chinese classic poetry , they have some limitations 摘要在20世紀的諸多文學批評理論中,新批評和接受批評與中國古典詩歌最具親和力,但這兩種完全不同的批評范式卻有著各自無法逾越的局限。

Then , it inquires into the insights from children ' s art to modern art , in terms of practices artistic creation ; later , it calls for new criticisms on works of art 并從具體的藝術家創作來探討兒童藝術對現代藝術的啟示,以及藝術界對新的美術批評標準的熱切期待。

A rich and deep spiritual space will be opened if modem chinese novels are explained from the perspective of “ irony “ in “ new criticism “ 摘要引入“新批評”的“反諷”理論解讀中國現代小說,就能打開一個個豐富而深邃的精神空間。

New criticism in china and the modernization of chinese poetics - understanding the poetic theory of yuan kejia in 1940s 對袁可嘉40年代詩歌理論的一種理解

Comparison of differences in textual view between new criticism and new historical literature criticism 新批評與新歷史主義文學批評文本觀差異之比較

Comparison between the novel comment in ming and qing dynasties and british and american new criticism 簡論明清小說點評與英美新批評

Ambiguity and self - reflexivity : comparative study between new criticism and structuralism 英美新批評與結構主義文論的比較研究

Richards and new criticism 瑞恰茲與新批評

New criticism : influence from positivism and other issues 論新批評受實證主義的影響及其它相關問題

Comparison between school of russian form and school of new criticism 俄國形式派與新批評派之比較

New poetry dramaticism and influences from english - american new criticism 和英美新批評的影響

New criticism : thought of opposites in harmony and its origin 新批評派的對立調和思想及其來源

Ontological criticism - the essence of the anglo - american new criticism 英美新批評的本質特征

On the scientific efforts of the new criticism 論英美新批評的科學化努力

New criticism on poetic works in ming and qing dynasties 明清詩文新批評芻議

Origin of the outlook on organic form in new criticism 新批評派有機形式觀溯源